Wunder der Sch?pfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.
In the context of Germany's Kulturfilm phenomenon, Wunder der Sch?pfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.
The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
羅伯特·約翰·伯克 馬里奧·馬卡多 里米·瑞安 喬迪·朗 約翰·波西 雷普·湯恩 巖松信 約翰·卡索 S.D. Nemeth Edith Ivey Curtis Taylor ?!嫷?nbsp;賈德森·沃恩 吉爾·亨內(nèi)斯 斯坦利·安德森
克里斯·帕拉特 佐伊·索爾達(dá)娜 布萊德利·庫(kù)珀 范·迪塞爾 戴夫·巴蒂斯塔 李·佩斯 邁克爾·魯克 凱倫·吉蘭 杰曼·翰蘇 本尼西奧·德?tīng)枴ね辛_ 約翰·C·賴(lài)?yán)?nbsp;格倫·克洛斯 勞拉·哈德克 肖恩·古恩 彼得·塞拉菲諾威茨 埃米特·斯坎倫 奧菲利亞·拉維邦德
高島政宏 布琳達(dá)·巴克 James Brewster Thompson 圓城寺彩 原田游人 矢澤由美 齋藤洋介 Doll Nguyen 川平慈英 Randy Reyes 五十嵐信次郎 Michael Yancy John Culkin Rik Thomas
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